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Complete Piano Works
Witold Lutosławski

Corinna Simon

Complete Piano Works

Price: € 19.95 13.97
Format: CD
Label: CAvi
UPC: 4260085533411
Catnr: AVI 8553341
Release date: 25 March 2016
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19.95 13.97
old €19.95 new € 13.97
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Label
CAvi
UPC
4260085533411
Catalogue number
AVI 8553341
Release date
25 March 2016
Album
Artist(s)
Composer(s)
EN

About the album

'What most impresses and thrills me in Lutoslawski's piano output is his immense degree of creativity while heeding every detail with painstaking attention - his wonderful way of associating traditional forms with innovative, bold sonorities and structures, while managing to preserve a great degree of independence that makes this music sound effortless and lively' - Corinna Simon Witold Lutoslawski was one of the greatest composers of the 20th century. His well-known Variations on a Theme by Paganini for two pianos are in the repertoire of almost every respectable piano duo. Unfortunately, apart from the short piece An Overheard Tune, Lutoslawski left no other work for two pianists to posterity. During the second World War, Lutoslawski played many of his own compositions in cafes, in order to make a living. Whereas Lutoslawski's earliest compositions - the Sonata and the Two Etudes - are brimming with technical challenges for the pianist, the next pieces he wrote are cycles of brief miniatures in which he explores each note and each rest to attain a maximum degree of expression.

Artist(s)

Corinna Simon (piano)

In recent years, Corinna Simon has made herself “an excellent name as a staunch defender of piano rarities” (as Frank Siebert wrote in magazine Fono Forum). Her recordings of works by Reinhold Glière (2011), Jean Franςaix (2013) und George Gershwin (2013) were released on CD to first-class reviews. Born in Berlin, she had her first piano lessons at the age of five. She was accepted as a young advanced student at the renowned Julius Stern Institute in Berlin at the age of twelve. She then went on to study at Berlin University of the Arts in the class of professor Ingeborg Wunder, and at Munich Musikhochschule with professor Ludwig Hoffmann. She perfected and completed her training as a concert pianist...
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In recent years, Corinna Simon has made herself “an excellent name as a staunch defender of piano rarities” (as Frank Siebert wrote in magazine Fono Forum). Her recordings of works by Reinhold Glière (2011), Jean Franςaix (2013) und George Gershwin (2013) were released on CD to first-class reviews. Born in Berlin, she had her first piano lessons at the age of five. She was accepted as a young advanced student at the renowned Julius Stern Institute in Berlin at the age of twelve. She then went on to study at Berlin University of the Arts in the class of professor Ingeborg Wunder, and at Munich Musikhochschule with professor Ludwig Hoffmann. She perfected and completed her training as a concert pianist by attending masterclasses imparted by György Sebok, Maria Curcio, Halina Czerny-Stefánska, Karlheinz Kämmerling and Malcolm Frager. In 1984 she gave her début as soloist at the Berlin Philharmonie, followed by an extensive and successful career as soloist and chamber musician. She has made appearances in many European countries, as well as in the US, Asia and South Africa, guesting in a number of outstanding music venues in Paris, Vienna, Brussels, Stockholm, Oslo, Jakarta, Singapore, Johannesburg, Washington DC, San Francisco, and New York. Corinna Simon has worked with conductors of the likes of Jakov Kreizberg, Marc Piollet, Lior Shambadal, Cristóbal Halffter, Lukas Karytinos and Walter Weller, as well as with composer Hans Werner Henze. Her chamber music partners include cellist Alban Gerhardt, violinist Rainer J. Kimstedt and tenor Peter Maus. In collaboration with Wolfgang Thierse (the former President of the Federal Republic of Germany), she conceived and performed a literary and musical project on the theme of German division and reunification, featuring works by composers from what was formerly called East and West Germany. Ms. Simon and Mr. Thierse performed the project together in 2015 to celebrate the 25th anniversary of German reunification. Corinna Simon teaches an advanced class of selected young pianists in Berlin. A great number of professional musicians, including First Prize laureates at national and international competitions, have been her students – including Sophie Mautner, Martin Helmchen and the Lorenz Piano Duo.

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Composer(s)

Witold Lutosławski

Due to his early orchestral works based on folk music (Symphonic Variations for Orchestra). Witold Lutoslawski is claled the Polish Bartók from time to time. However, perhaps ironically it was in his Musique Funèbre À La Mémoire Béla Bartók (1958) that he truly broke new ground. A radio broadcast of John Cage's Concerto for Piano made a large impression on him. Inspired by him, he decided to give more freedom to the performers in some parts of his compositions. With that, Lutoslawski was settled among the Polish avant-garde in a blow, along with Penderecki and Panufnik. Some large-scale caleidoscopic compositions such as his Second Symphony and his Livre Pour Orchestre made use of a hallucinating richness of sound. In the same time, Lutoslawski composed major vocal...
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Due to his early orchestral works based on folk music (Symphonic Variations for Orchestra). Witold Lutoslawski is claled the Polish Bartók from time to time. However, perhaps ironically it was in his Musique Funèbre À La Mémoire Béla Bartók (1958) that he truly broke new ground. A radio broadcast of John Cage's Concerto for Piano made a large impression on him. Inspired by him, he decided to give more freedom to the performers in some parts of his compositions. With that, Lutoslawski was settled among the Polish avant-garde in a blow, along with Penderecki and Panufnik. Some large-scale caleidoscopic compositions such as his Second Symphony and his Livre Pour Orchestre made use of a hallucinating richness of sound. In the same time, Lutoslawski composed major vocal cycles, akin to Ravel's and Debussy's music. He continued to refer to the French music tradition by composing in a free, refined style such as in his Paroles Tisées (1965), Les Espaces Du Sommeil (1975) and the charming cycle Chantefleurs Et Chantefables (1990).


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01.
Bukoliki (Shepherd Songs) (1952): I. Allegro vivace
01:12
(Witold Lutoslawski) Corinna Simon
02.
Bukoliki (Shepherd Songs) (1952): II. Allegro sostenuto
00:59
(Witold Lutoslawski) Corinna Simon
03.
Bukoliki (Shepherd Songs) (1952): III. Allegro molto
00:45
(Witold Lutoslawski) Corinna Simon
04.
Bukoliki (Shepherd Songs) (1952): IV. Andantino
01:51
(Witold Lutoslawski) Corinna Simon
05.
Bukoliki (Shepherd Songs) (1952): V. Allegro marciale
01:23
(Witold Lutoslawski) Corinna Simon
06.
Etiudy na fortepian (Two Studies for Piano) (1941): Allegro
02:30
(Witold Lutoslawski) Corinna Simon
07.
Etiudy na fortepian (Two Studies for Piano) (1941): Non troppo allegro
03:14
(Witold Lutoslawski) Corinna Simon
08.
Melodie Ludowe (Folk Melodies) (1945): I. Ach, mój Jasie?ko (O my Johnny)
00:40
(Witold Lutoslawski) Corinna Simon
09.
Melodie Ludowe (Folk Melodies) (1945): II. Hej, od Krakowa jad? ( Hey, I come from Craców)
00:49
(Witold Lutoslawski) Corinna Simon
10.
Melodie Ludowe (Folk Melodies) (1945): III. Jest dro?yna, jest (There is a path, there is)
00:53
(Witold Lutoslawski) Corinna Simon
11.
Melodie Ludowe (Folk Melodies) (1945): IV. Pastereczka (The little shepherdess)
00:52
(Witold Lutoslawski) Corinna Simon
12.
Melodie Ludowe (Folk Melodies) (1945): V. Na jab?oni jab?ko wisi (An apple hangs on the Apple tree)
00:37
(Witold Lutoslawski) Corinna Simon
13.
Melodie Ludowe (Folk Melodies) (1945): VI. Od Sieradza p?ynie rzeka (A River flows from Sieradz)
01:43
(Witold Lutoslawski) Corinna Simon
14.
Melodie Ludowe (Folk Melodies) (1945): VII. Panie Michale (Master Michael)
01:36
(Witold Lutoslawski) Corinna Simon
15.
Melodie Ludowe (Folk Melodies) (1945): VIII. W polu lipe?ka (The lime tree in the field)
01:05
(Witold Lutoslawski) Corinna Simon
16.
Melodie Ludowe (Folk Melodies) (1945): IX. Zalotny (Flirting)
00:58
(Witold Lutoslawski) Corinna Simon
17.
Melodie Ludowe (Folk Melodies) (1945): X. Gaik (The grove)
00:37
(Witold Lutoslawski) Corinna Simon
18.
Melodie Ludowe (Folk Melodies) (1945): XI. G?sior (The gander)
01:07
(Witold Lutoslawski) Corinna Simon
19.
Melodie Ludowe (Folk Melodies) (1945): XII. Rektor (The schoolmaster)
01:11
(Witold Lutoslawski) Corinna Simon
20.
Utwory dia m?odzie?y (Pieces for the Young) (1953): I. Czteropalcówka (Four-Finger Exercise)
01:07
(Witold Lutoslawski) Corinna Simon
21.
Utwory dia m?odzie?y (Pieces for the Young) (1953): II. Melodia (An Air)
02:40
(Witold Lutoslawski) Corinna Simon
22.
Utwory dia m?odzie?y (Pieces for the Young) (1953): III. Marsz (March)
01:33
(Witold Lutoslawski) Corinna Simon
23.
Inwencja (Invention) (1968)
01:02
(Witold Lutoslawski) Corinna Simon
24.
Zas?yszana melodyjka (An overheard tune) for four hands (1957)
02:51
(Witold Lutoslawski) Corinna Simon
25.
Sonata for Piano (1934): Allegro
11:26
(Witold Lutoslawski) Corinna Simon
26.
Sonata for Piano (1934): Adagio ma non troppo
08:45
(Witold Lutoslawski) Corinna Simon
27.
Sonata for Piano (1934): Andante
09:54
(Witold Lutoslawski) Corinna Simon
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